bon je me suis décidé de tester cela avec la promo des 20%, j'espere que je serais pas décu.
http://www.theampfactory.com/ultrares-irs/vous tiens au courant si ça vaut le coup.
les cabs:
1x12 RockCrem (Based on RockDriverCream by EMINENCE loaded cab, Open Back)
1x12 Shadow (Based on a BlackShadow Speaker MC90 MESA by CELESTION, Open Back)
1x12 VintageMars (Based on a old 1961 Marshall ProtoType cab made for G.Moore)
2x10 Fen (Based on a Blonde Fender 1959 Cab loaded with Early Jensons)
2x12 ACRox (Based on a ‘66 VoxAC30 2x12 CAB Blue Speakers, close back)
2x12 Art (Based on a BlackStar Artisan 30 cab GH12 loaded, open back)
2x12 TangoJR (Based on a JimRoot loaded Orange Cab Custom V30. Closed back)
4x12 Mars (Based on a ’76 Marshall Lead straight cab G12T loaded)
4x12 MarsBasket (Based on a Marshall Basketweave with Pre-Rola G12)
4x12 StarFound (Based on a ’74 WEM Starfinder with Custom FANE)
4x12 TangoMat (Based on a ’72 Orange Matamp Custom V30)
4x12 WAT (Based on a HiWatt 4x12 FANE loaded. Extra deep)
Les mics:
9 mics used, Neumann U87, Neumann U47, Shure SM7B, Royer R121, Shure Sm57, DPA 4011 cardioïde, Shure S545, AKG 414 & Audix i5
Les positions des mics:
The Positions, - To each cab are various positions, some cabs/mic combos only have certain amount, whilst others have many more. Please see below:-
■Center – Mic dead Center. (Bright, sometimes fizzy)
■OffCenter – Mic Slightly Offcenter between the cone and centercap (bright, reduced fizz)
■Cone – Mic center of the cone area (Dark, improved Mids)
■Edge – Mic at the edge of the speaker..(Darker loss of Highs, good for a blend mic)
■Center1inch – The mic at the center but away an inch from grill (Bright, reduced fizz)
■OffCenter_1inch – Again 1inch away, (Darkish, good Mids)
■ *Offaxis* - this is a different approach to micing, slanting the mic to a certain degree..
■Special – This is i.e when a Mic such as the 414 or 121 has been rotated 180 degrees
les mix/room:
The Ambience/Room folder, - this is the template files. – and are to be used with the single mics of the cab of choice, for example. You might want a Audix offcenter, mixed with a R121, but wanted the room added too. – so here you can go ahead and take the Rear cab and the room mics and blend those in to taste. This is the creative process.. And you can get a little lost in thought here. So _spend as little as time possible in this section at a given time_ as ear fatigue is a nasty beast.
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